Considered by many travelers as one of the primary reasons for their journey, cultural tourism is an incredible opportunity to both mold the image of a country and its people, as well as drive the growth of its tourism industry.

Our experience promoting cultural tourism is truly impressive, ranging from internationally prominent PBS Television Specials from America's National Park for the Performing Arts — including the heralding of the return of the Kirov Ballet to the US, and the spectacular French Bicentennial Salute — to a variety of multimedia and multicultural tours d'artes today.

As champions of cultural tourism worldwide, we have written, presented and produced documentary television, museum exchanges, and performances featuring the music, the artworks and artists, the cuisines, natural features, religions, lifestyles, and people of India, Turkey, Italy, the former Soviet Union, Denmark, Canada, Mexico, England, France, Egypt, Israel, Venezuela, Brazil, and many other countries and regions.

As individuals and as a company, we are committed to increase understanding among peoples, person by person, through cultural exchange and the tourism it fosters.

  

 
 

Promoting Malaysia's

Cultural Identity

When it was decided that Malaysia’s national dance company would make an unscheduled stop in New York within a month while enroute back to Kuala Lumpur — and would like to give performances — Tourism Malaysia asked for our assistance.

 

The goal — generate positive publicity about Malaysian culture and Tourism Malaysia within a very short time span.
With only three weeks left before the troupe’s arrival, and no venues for performances, we set out to stage and publicize performances in unexpected venues.

 

Our "surprise venues," such as on the terrace of the Romanesque and Byzantine-inspired St. Bartholomew's Church on Park Avenue, or during lunch hour in popular Bryant Park behind the New York Public Library, on historic Ellis Island and at the Bronx Zoo, drew crowds of New Yorkers.

 

The result — a weeklong cultural event enthusiastically reviewed in the dance column of The New York Times and viewed by an estimated 25,000 New Yorkers.